1. Share
  2. Click on the orange arrow to play the edited clip from the show. 
  3. Forgetting who your customers are – first blood to Tesco, then Golman Sachs’ muppet clients; why parents make the best parents and the absurdity of honours and honorific titles.

    You can catch the others stories and here the programme (we are the last fifteen mins or so) here http://www.bbc.co.uk/programmes/b01dnbqq

This was written following a glorious September day. Sadly, it is now finished. You can either read it, or hear it.

A Welsh High Tea

A sunshine filled September day,
the dining room doors framing a view of a few fields
leading us to the expanse of sea that is Rhossili Bay.
The room filled to overflowing: standing on the deck, the grass,
against the field fence where the ponies graze.
Families – the sisters, nieces, aunts and uncles,
the friends from a lifetime of 80 years to the day.
Gathered for High Tea.

A much extended table laid with precision.
Competing aunties’ Bara Brith and Welsh cakes.
Tiny shells filled with lemon cream atop with raspberry, singular.
Sandwiches, definitely for an occasion,
narrowly cut, stuffed to overflowing,
trimmed of crust and neatly laid.
Remembered recipes of jam dipped sponge squares,
coated with coconut shreds,
finished with cherry jam and a cream blob.
Scones, by competitive sisters this time:
small and perfectly stuffed;
or ready to break yourself and indulgently fill,
with more cream and home made jam.
And, more, too much to see, too much to eat.
Celebration for every sense.

In the centre the cake, the birthday cake.
With the champagne, the wishes
“Penblwydd Hapus” by most,
plain “Happy Birthday” the rest.
But the “iechyd da” felt hollow even as our glasses met.
No shared joy blotted out unsaid thoughts.
We knew: no tea would ever be as bitter sweet,
however bountiful or lovingly made.
The sun would never fall on her so radiantly.
The wake, too soon it was to be,
would be no match for her High Tea.

Doreen Page 12 September 1930 – 5 November 2010

©Peter D Cox 2010 all rights reserved

Peter Cox at Cardiff PechaKutcha

Peter Cox talks about changing Cardiff at PechaKucha Photograph: Hannah Waldram/guardian.co.uk

I got my blooding at the PechaKutcha in Cardiff on 27th May when the Guardian kindly blogged:

Peter Cox from Cardiff Civic Society gave a compelling insight to how Cardiff is changing and what elements have been lost along its development. He said:
“Cardiff’s growth has been both sudden and exponential. The city of 1891 is barely recognisable as apparently unstoppable expansion consumes whole communities.”
Cox praised the design of Chapter Arts Centre, where the event took place, for being inclusive, community focused and putting society at the heart of the building.

On that occasion it was 20 slides and 6mins 20 secs to complete – a pretty rapid fire.

But last week’s IGNITE#5, part of the Swn Festival, held at Chapter Arts was down to 15 secs a slide – and no messing, they advance relentlessly. Unlike the PechaKutcha, Ignite had a theme – Music not surprisingly. A good opportunity I thought to extoll the virtues of hospital radio, and of course, Radio Glamorgan in particular. The other presenters were amazingly diverse: a bluffers guide to Bollywood, rock t-shirts, my first heavy metal festival. Great fun and entertaining. Well I was off first (partly because of the inevitably complicated presentation, but I wanted to include sound and video – off course). But all was well in the end.

Snippets included some of my interviewees (click to hear the full length interviews on my web site): Tim Rhys Evans (Only Men Aloud) Joan Armatrading, James Dean Bradfield, Kevin Brennan MP (in his guise as part of MP4) and Rebecca Evans. All ace.

Technically for the nerds: the video comprises the original slide show with a soundtrack taken from a live recording (using an Edirol R-09 miniature digital recorder with integral mic) mixed to sound tracks that were used on the slides. I used Amadeus for the sound editing, QuicktimePro (v7) to slip the tracks and merge the new sound track and exported to YouTube as Mpeg-4.

The nonsense of the NOS ‘sex’ survey

Posted: September 24, 2010 in Uncategorized
Tags: , , , , , ,

In that parallel universe of Daily Mail and Daily Telegraph readers there was a mass explosion of relief this morning. Curtains will have twitched across the nation as the worst fears of many were assuaged with the Daily Mail’s social affairs correspondent (sic) categorically assuring the threatened masses that they were not surrounded by a huge percentage of gay neighbours: it’s official, only one man in 10 is gay and less than a whole woman is a lesbian. What relief then.

Daily Mail story

Today's Daily Mail reassurance to its readers Credit: http://twitter.com/catherine_mayer

I’ll quickly pass by the unquestioning, slovenly and uncritical journalism of the Mail since that is what we must expect, sadly. A more considered appraisal of the National Office of Statistics survey is in the Guardian. But, even there, the report needs to be taken with a massive dose of common sense and comments (I didn’t dare look at the DM’s) raise many of the issues that concern this report.
As someone who has commissioned and helped design some pretty groundbreaking market research in my time, I hesitate to tell the NOS how to do its work. This survey is, as many point out, deeply flawed. I have no issue – albeit by a government paid-for quango –seeking to go where others fear to tread, indeed that maybe their role. But given that every homophobic newspaper would glibly misinterpret unquestioningly its results, it really should have been more careful.
When teaching questionnaire design I always proposed two rules:

  • only seek answers that you can do something with (useful, not just ‘interesting’);
  • only ask questions to which there is a definitive answer and that can actually be answered.

I am not at all sure what purposes the NOS is intending to use its data for: predicting levels of ‘hate crime’ perhaps; managing growth of same sex households and their demands for schools? Mmm.
The question itself is perhaps more interesting: is there a valid answer to the question “What is your sexual group?” Given a list (and the methodology employed by NOS seems to me wholly flawed – why didn’t they use self-administered computer based trade-offs, for example?) first of all assumes that people accept the idea of a group definition. Many would not, yet they might engage in behaviour that is a characteristic, supposedly, of such a defined group (all ‘gay’ men like “Mama Mia”). The behaviour itself simply defines an action at a particular time: so a man who marries a women and has children, then lives with a male partner is what? Depends when you ‘measure’ what behaviour – the relationship, having children, sex with a man or a women. And at what point does the behaviour characterise the person as being part of a ‘sexual group’?
In such complex circumstances people will always moderate their answer to the most favourable light – as they see it – at that particular moment: doctors have rules of thumb for what people say their smoking/drinking/sex habits are. They may also have personal qualifiers that shape their answers: some men who have sex with other men who are the ‘active partner’ do not regard themselves as homosexual at all, but regard their sexual partner as such. That may be a valid description for that person but it wouldn’t have helped in this survey to arrive at a useful, valid answer.
The safest, most reliable way of getting data is to ask about actual events that can be reliably recalled. When did you last have sex with another person? What gender was that person? Do you have sex regularly (monogamously even) with that person? Are you in a long-term relationship? What sex is that person? And so on, building a volume of behavioural information that is more likely to be accurately recalled – but not necessarily truthfully told unless the methodology is secure. Take a group of answers together and you might, only might, be able to lump them into a group behavioural description: gay, bisexual, lesbian, whatever. I’m not going to even attempt to do that!
So, while this survey is interesting, it’s far from useful and probably not valid. If it gives comfort to homophobes then perhaps that can’t be bad. But watch out. Whatever the DM and Telegraph might tell you, the chances are you have a gay, lesbian, transgendered – or just plain heterosexual kinky – neighbour. Keep twitching those curtains.

End of the Maskrey’s era

Posted: September 22, 2010 in Cardiff, Funding
Tags: ,

The iconic furniture store that was Maskreys, Cardiff

It was the new social barometer Twitter that gave the first indication of the storm that hit the iconic south Wales furniture stores Maskreys. The immediate reaction from Tweeps was sadness. Maskreys, after all, is – until the end of November – more than just a furniture shop. Since 1898 the Maskrey family have been delivering, to a very particular south Wales market, an aspirational lifestyle that can only be hinted at by Cardiff upstarts like John Lewis, and the can-hardly-mention-in-the-same-breath, IKEA.

Others have remarked today that if Maskreys had adapted their buying policies then maybe it could have survived the competition from the comfortably upmarket John Lewis and the aggressively do it yourself IKEA. That seems to me to entirely miss the point! The three stores were always designed to be the bastions of a certain kind of taste (not always so obviously ‘good’): something that bordered on bling, but was rescued from crassness by craftsmanship and, yes, mostly unattainable for the likes of us, pricing. It meant the comfort of having bought something that would last for ever, reinforced by a feeling of painful expense, and the knowledge that everyone would admire your purchase.

I am sure there was another kind of customer as well: the moneyed for whom price guaranteed peergroup (The Jones next door) approval, even if sometimes the objects were themselves of doubtful taste.

Does it matter then that Maskreys is to disappear?

Robert Maskrey (executive chairman) and Samantha Maskrey


I think so. Firstly, there is the cost to the people involved. I have known Sam Maskrey, and her husband and executive chairman Robert through our common interests in the arts. Of course, they are entitled to retire and their orderly closure of the business, the wanting to do the best for their customers and their staff, is more than anyone can reasonably expect in a slash and burn recession.

The Cardiff store has been on Whitchurch Road since 1913. This is not the most suitable location for such an enterprise but it must be an important draw for many of the other businesses that now exist in the area. (The other most important attraction locally is Cathays cemetery!). There will undoubtedly be a knock-on, recessionary effect on those businesses. The Cardiff building is attractive of its kind but will almost certainly fall into a developer’s hands and an unsympathetic, unsuitable replacement is par for the course in Cardiff’s current planning–free–for–all.

And apart from the Maskreys business, there is equally significant potential loss of Sam and Robert Maskrey and their roles in the cultural life of Wales. The company itself sponsors the Hay Festival of Literature and the Welsh National Opera. Robert Maskrey has chaired the Lower Machen Festival for five years. Sam Maskrey is a director of the Hay Festival of Literature, deputy chair of Arts and Business Cymru and is on the board at Chapter Arts Centre. Sam and I met at Chapter when she joined the board and I managed to persuade her to take very active role in fundraising for the recently completed £3.5 million redevelopment. Without her enthusiasm and arm bending it is unlikely that Cardiff would have the benefit of the new Chapter.

It isn’t impossible, I imagine, for individuals to set up and run and businesses like Maskreys. But as a recent report on the homogenising of our high streets has warned, it is increasingly difficult when companies like Tesco regard land banking and the saturation of communities with their multiple outlets as the way to generate the highest return to shareholders. The idea of a business that delivers a particular range of products in an individualistic way for a carefully focused market depends on the market existing and being able to accurately deliver what they need. Fashion, times and financial ability are all fickle.

There is everything to commend in the manner of Maskreys departure. But many of us will notice the absence of the store and the qualities that Sam and Robert bring to life in Cardiff. For the past 12 years they have sponsored an annual Christmas carol concert held in the Norwegian Church, Cardiff Bay. That alone has raised £150,000 for Shelter Cymru. It’s not just the rich furnishing their eye-wateringly expensive flash pads, it’s the homeless who will miss them too.

Rolling back blog history

Posted: August 31, 2010 in Uncategorized
Tags: ,

What’s with the reminiscing stuff? First I get asked to reflect on my own ancient history – politics wise - and then there’s the urge to ensure that all my blogs are got in the same place, again. This latter task is proving tedious technically (anyone out there a Notes Designer who can do me a dump from my Domino Blog?); emotionally jarring (have to read every word and relive the memories), and altogether too time consuming/diverting when I should be writing about now.

Guardian Blog 2003

What the Guardian Weblog looked like in 2003 when it announced the Best British Blog winners

Basically I’ve been through lots of iterations: first off was a Blogger blog (it was this that got the much dined-out-on shortlisting in the inaugural Guardian Best British Blog competition in 2003). These blogs got transferred into several versions of the cutting-edge Lotus software based on Domino Blog, which I had a small part in helping to shape before it was consumed into IBM.

This software allowed me to do things that freebies like Blogger and WordPress couldn’t then do, and it was all hosted on the office servers, so it was effectively free.  And, IMHO, it looked great too.

Peter D Cox in 2003

Using Domino Blog in 2003 until about 2009, this was an early design

Of course, as a by now famous blogger (well, I knew how to do it technically, could string two words together, and got angry about things – the pre-requisites I suppose) it was clear I’d get to have other blogs too. The biggest, and to date the one which has atracted most online comments, often hundreds, was that for the HitItForSix campaign. In the campaign to save the historic Sophia Gardens (part of the Bute Parks) from the desecration of an international cricket arena it was clear, even in June 2005, that people needed a web place to go if they were to campaign effectively. Copies of plans, papers, proposals were often ‘available’ but effectively lost in obscure places and frequently ‘disappeared’ as quickly as they were published. Archiving and recording on H46 was a powerful tool for campaigners and journalists.

HitItFor6 web blog

The campaign blog for HitItForSix, campaigning against Glamorgan Cricket Club's massive cricket arena (and originally ice-rink and pavilion)

Hundreds of blogs later we ultimately lost the campaign  as local politicians rolled over at the lure of a Test Cricket Match in Cardiff. Footnote Tweet:Value of Ashes to Cardiff: prediction June 2009 £116M http://ow.ly/2cfhA , report to #cdfcouncil says £3,577,000 http://ow.ly/2cfhB Compute? 16 July 2010.

Food Blog

The food blog, a nice diversion while it lasted. I'd still like to write a food column: any offers?

Another flattery-got-the-better-of-common-sense-diversion was a food blog. From September 2007 until November that year I managed to write pretty consistently about food eaten, seen and cooked: from sauerkraut to Nigel rip-offs it was great fun while it lasted (and all the blogs are on this site, hence the pre-dominance still of food in the categories!).

Once I became ‘retired’ using the office servers was no longer an option so some consolidation was necessary. Blogger seemed v inflexible and not very designery, and WordPress seemed the choice of ‘serious’ bloggers, which I liked to think I was. So the, as yet unfinished, task of moving things over began.

And there we are. Well almost.

January 30th 2009 saw my first Tweet, though it took about six months to work out what it was all about. Now, 3442 tweets later, I think I’ve got it sussed, have been described as “Cardiff’s acid Tweeter” – a description repeated by the city’s leader at a recent meeting, and by the South Wales Echo (27 July 2010) as one of the five tweeps (people who do) to follow. Tweeting has filled a big hole in the blogsphere for me: giving almost instant reposts to news and events; highlighting and commenting in 140 characters on things that take my fancy; and following others of a like mind (and not) who do the same. It’s great.

And just in case you miss them. I archive them here, on the blog. A neat development. For now, until it all changes again.

So, in seven years blogging has changed a lot, technically and in the writing. The short-and-sharp gets Tweeted. Much comment gets cuckoo’ed out onto other people’s blogs where you fight for a voice amongst an often crowded space. And nice people ask you to write for them. All in all then, I’ve become a bit of a philandering blogger.

And a postscript: Much of what I have written and the illustrations would not have been possible without the amazing web archive feature on http://web.archive.org/. Let it be a lesson: very little on the web actually disappears.

Another sort of writing?

Posted: August 30, 2010 in Creative writing

Not only do I fail to keep this blog up to date (Tweeting has to substitute sometimes for active engagement here), but I don’t get my homework in on time either.

CD cover for end of course readings with Philip Gross

CD cover for end of course readings with Philip Gross

Homework? Yes, during term time I’ve been trooping off to Cardiff University – well actually to the National Museum in Cardiff – for a weekly dose of “Creative Writing”. The other stuff. I thought I’d better ‘fess up, so here’s a piece I wrote explaining all about it. (Recycling is good!)

And if you’d like to hear how we got on, here’s the recording of the end of term bash – some great stuff from others (I do a monologue which somehow manages to squeeze in the Manic Street Preachers). Oh, and Wales Book of the Year Author Philip Gross does beautiful readings at the end.

Creative writing at the Museum, 2010 class six homework: 300 words on  your creative writing course Course tutor, Susan Morgan

I have been a professional writer for nearly 50 years since that first, paid-by-the-word, journalistic prose appeared in “Teen Scene” in the 1960s. Hundreds of thousands of those  pesky words later there has been: art criticism, news reporting, voiced radio scripts, appraisals, tender bids, university essays, presentations for groups ranging from 2 to 2000, Tweets, blogs, and reports, endless reports of immense expense to clients and comparable cost to the creative abilities of syntax, choosing the bon mot, engaging one’s audience, presenting facts, drawing conclusions, and, above all, staying awake. I am a creative writer!

Alarmingly though, not a “creative” enough writer even though I could boast – if asked -  of a slim volume, half a century ago, of youthful poetry, some voiced on the Home Service radio program “Poetry Today” by the stellar Mary Wimbush.

So, off to the University of Cardiff Creative Writing at the Museum Course where I was to to spend 10 weeks focusing my gaze on every conceivable aspect of the Seven Estuary. I was to discover one of the world’s most important tidal reaches, rich in biodiversity, archaeological remains, myths and historical occurrences. This would provide an abundant resource, based on lectures from scholarly, witty and erudite members of museum staff, and objects from the National Museum itself, for the simple task called “home work”.

Go write a monologue. Produce a short poem. Collect an interview. Experiment with riddles and kennings. In short, discard those years of practice and produce succinct, accessible, vivid and above all well constructed pieces that communicate in a way that can grip, move, inform and, ideally, change people’s perceptions and lives!

That’s what others in the group did with varying degrees of, and often very profound, success every week. As for me?  Well I’m signed up for the Autumn.

This Guest Blog was requested by WeAreCardiff and appeared on their blog on August 27th 2010

Yes, I am still, frequently, asked the question by uncomprehending friends “why do you live in Cardiff?”. As a south Londoner (political history here), I migrated here via the very beautiful countryside of north Warwickshire.

My work as a consultant took me from the heart of England all over the UK, quite a bit of Europe and even North America. But I had a client in Cardiff that meant five years of staying almost every week at the Holiday Inn (now the Ramada); stays that included the delight of Michael Jackson’s suite. An artificial kind of “getting to know you Cardiff” maybe, but it planted a seed that led to me renting a flat for six months to work on a book.

Llandaff, one of Cardiff's many 'villages'

Then, much later, the suggestion to my partner that we try a year in a rented flat in Llandaff to see if we really liked Cardiff. A year after when we were being kicked out we had to decide: to relocate permanently or return to leafy Warwickshire. The decision was taken out of our hands when the house there sold and, on the same day we found a home in Pontcanna, we bought it. We didn’t know then that this was one of the most desirable parts of the city, and that we were surrounded by Welsh speakers and media personalities. As time went on, we met with like-minded immigrants, as well as delightful neighbours who had been in the area for 40 or 50 years. We tried, repeatedly, to improve our Welsh.

It took a while to get to know the extraordinary delights of the adjoining Pontcanna and Llandaff Fields

Llandaff Fields in Autumn

Llandaff Fields in Autumn

and the way they form part of the Bute Parks. The arrival of Dryw – black, four legged and a terrier explorer – accelerated our learning. However, we quickly discovered that many of the things we most liked about Cardiff were under threat. First it was Sophia Gardens – the city’s first public park – and the idea of giving a privately owned company a huge amount of public space in which to develop a commercial cricket ground.

Sophia Gardens in its glory days

Sophia Gardens in its glory days

The “Hit it for Six” campaign successfully fought off two major applications for development in this grade 2* parkland, but the promise of a “test match” and of some fleeting international exposure saw the council roll over like lapdogs and agree to the desecration of the park. An action that can never be reversed.

It became clear, sadly, that this was part of an ongoing process of degradation and development, usually claimed to be for “worthy causes”.

40 years of encroachment of the Bute Parks

40 years of encroachment of the Bute Parks

Each of these individual uses may have seemed to have some merit, but taken together they have added up to a 40% removal of public space from one of the country’s most important historic landmarks. Sophia Gardens was effectively finally lost when the cricket stadium was built, but we all thought Bute Park itself was untouchable. The allure of money from the Heritage Lottery Fund and weaselly words of support from them, enabled the council to build a new access road to enable it to undertake public events more easily. A 5000 people petition asking for a moratorium on development in the Bute Parks was dismissed in a council meeting in seconds.

At this point anyone would question why they would still want to live here. Now, there is as much to get angry about in Cardiff, as there is to enjoy.  As chair of Cardiff Civic Society, a charity not a political or single-issue campaign, I have a responsibility, not to be angry (well, not just angry) but to try to ensure that Cardiff’s historic past, and just as importantly, its future, is in the ownership of its citizens. Not, as so often seems, taken for granted by its politicians as their right to propose and dispose of at will.

We are coming up to an important time for those who make bad decisions: it’s the Welsh Assembly elections next year, council elections in 2012. It’s a good time to reflect on what has happened, and what we might want for the city in twenty years’ time.

Cardiff has the potential to be a fitting capital for the country where many of us still want to live. Indeed, it can and should be a world exemplar of many of Wales’ policies for the environment, sustainable economic growth, high standards of built design and caring for a remarkable and complex history.

It won’t be that in 2020 unless we, the people who have grown to love the place, make it so.

Picture by Adam Chard taken for WeAreCardiff

Peter sits on an access bollard by the new Bute Parks access road bridge: “its presence allows the noise, traffic and pollution of an arterial roadway into what was once one of the most preciously tranquil areas of the heritage park. The massive, industrial strength bridge (for 40 tonne lorries) has the design footprint of a monster and less subtlety than the second Severn crossing. It destroys something given in trust. It’s an irrevocable act of vandalism that history will join those who campaigned against it and roundly condemn as a folly of 21st century politicians seeking civic aggrandisement above civic duty.”

I cannot imagine that there are many who had the good fortune to see The Persians (background story) over the past two weeks, who doubted that we were present at one of the defining occasions of English-language theatre in Wales.

The cast of Mike Pearson's NToW production of The Persians

Even the London critics somehow managed to find themselves seated, not in West End luxury, but on a hard bench, clad in a regulation green poncho and exposed to the elements deep in the heart of the Brecon Beacons.

All have heaped praise on the National Theatre of Walessixth production in this year’s inaugural programme of The Persians, directed by Mike Pearson.

“They have scored a coup”, The Observer; “Pearson’s superbly imaginative and intense production, at once timeless and modern, has a rare, raw power. This is great theatre – and a thrilling mystery tour for its audience”, The Telegraph; “a production that is both minimalist and massive in its scope and marvellous in its realisation,” the Hereford Times; “what is impressive about Mike Pearson’s production is the totality of the experience”, The Guardian; “some of the finest creative talents working in Wales today… melded together to produce a unique and exciting drama, probably accompanies most artistically fulfilling production to date”, Michael Kelligan; “with the eery music, some wonderful acting and the amazing setting, this is another hit for National Theatre Wales”, Western Mail.

Yes it is all this and more. But for me, on quiet reflection, there is a story behind the production that I haven’t yet seen discussed.

The Persians represents in many ways a Phoenix like rebirth of one of Wales’s greatest theatre companies –  Brith Gof. Firstly, director Mike Pearson, conceptual designer Mike Brooks and composer John Hardy were all key players in Brith Gof’s history. Richard Huw Morgan, John Rowley and Gerald Tyler are all actors who have worked often for extended periods for the company. So, as they say: they have form.

I was a trustee of the company when its Arts Council Wales funding was terminated in 2000. The company’s last grant was £52,500. We decided that Brith Gof – always much more appreciated outside of Wales than in it – should continue as long as we could find the money and the directors had the artistic ideas. Mike Pearson and fellow directors Michael Shanks and Cliff McLucas were eventually offered jobs with regular income. In the end, we had to call time in 2004.

It has been both instructive and rewarding to search the archives to see just how much Brith Gof has given to The Persians. Anyone who saw the Welsh production of

Brith Gof's "PAX" at St David's Hall, Cardiff

“Gododdin” (a remarkable film archive is here, persist with it, the video’s not great quality) in the Rover car factory, Cardiff in 1989, “PAX” in St Davids Hall in 1991, or, even Mike Pearson’s two-man show “In Black and White” with disabled actor Dave Levett in 1992, will see the theatrical connections. The use of extraordinary musical soundscapes originated with John Hardy and Mike Pearson’s work with Test Department in the 1980′s. John Hardy’s (interview here) creativity and musical inventiveness hasn’t lost any of its edge in spite of him being a much in demand composer for mainstream film and television (and still, thankfully, based in Wales).

In the last few productions by Brith Gof – such as Hafod, technology began to appear but hand-held video cameras had to be attached to the performers with trailing cables. In The Persians we have a chorus member with a tiny handheld wireless camera and the remarkable camera work of Pete Telfer projecting the live-action onto video screens. The integration of recorded segments of video is also an inheritance from the days when such things were much more technically challenging.

Some things in the Persians are different: as Mike Pearson explains in his interview with me working with a classic text – brilliantly translated by Kaite O’Reilly – was one of his self-set challenges. It was also in English, where much of Brith Gof’s work had been Welsh or bilingual. And whilst I have no idea what the budget of the production was, I imagine that the generous Arts Council Wales and Welsh Assembly Government funding to NToW (£3M over three years) gave the team a little more flexibility than they had in the old days.

For me then, there is much satisfaction in seeing how 15 years of theatrical development in Welsh theatre could have such a stunning, successful and critically acclaimed rebirth. Many theatre companies throughout Europe owe a debt to Brith Gof. I am glad that the National Theatre of Wales, albeit by a kind of proxy,  and The Persians has been able to honour it so well.

Footnote: there have been some excellent comments that add to my story and, rather than take the credit for knowledge that I didn’t have, I ask that you click on the comments, if you haven’t already done so.
Good news that the archive may get a new life too!


This Guest Blog was requested by Cardiff East and appeared on their blog on August 12th 2010

I had no idea when I was in my middle teens that there were people who didn’t know about politics. At school, after a quick brush with kings and queens, even then coming to the conclusion that they were of little use, we moved on to British Social and Economic History. By 15 I knew about the Chartists on Kennington Common (which I walked on every day to school), the difference between a Luddite and a Leveller, and the importance of the antislavery movement and the suffragettes.

Kennington Boys School, Hackford Road, Brixton, London

Kennington Boys School, Hackford Road, Brixton, London

If my post war, run down, Victorian housed, but inspirationally teachered school wasn’t designed as a socialist nursery, it certainly managed the task well. What gave us all such a practical grounding, and even more importantly, a desire to be involved in, politics? I was recently asked to reflect on the impact of my school and began to think that it was something to do with the extraordinary mix of teachers – all men of course – in that period just ten years after the Second World War.”

There were a few, almost past retirement, who’d kept the school going during the war, still wearing black gowns, and bemoaning that, even in Brixton, we didn’t learn Latin, and insisted on good handwriting. (Thank you for that!). There was another group who had taken the fast track teacher training course after serving in the war among whom were two Battle of Britain fighter pilots, one with facial surgery scars that constantly reminded everyone of his contribution to a civic society. And then there was the new blood, unsullied by tradition or war service, and fired with egalitarian ideas and ideals.

On reflection this was perhaps a unique mix of teachers who shared an absolute passion for education through which we would become active, involved, and intelligent citizens. What was extraordinary, was that this was not a grammar school in Westminster or Harrow, but a secondary modern in a deprived part of south London.

We were taught to have a voice. We had a school Parliament that met regularly. I still have some of the school magazines that we, the pupils, produced on a duplicator (see Wikipedia for explanation of this). For three years running I led the school’s debating team which won most of the Rotary Club competitions across London.

Not surprisingly, with such a good grounding in how government worked, many of us at 14 and 15 became involved in politics.

Hugh Gaitskell

I watched, too young to be a conference delegate as Hugh Gaitskell passioned, “There are some of us, Mr Chairman, who will fight and fight and fight again to bring back unity and honesty and dignity, so that our party with its great past may retain its glory and its greatness”.

I was a steward – with arm bands – at the massive “Let’s Go With Labour” rally that took over Battersea Park and its funfairs built for the Festival of Britain just a few years before. Here Gaitskell addressed the biggest crowd I’ve ever seen. Months later he was dead. And in Scarborough in 1963, this time as an official delegate of the Southwark Labour Party, I first heard Harold Wilson.”

By then I had began to work in local government at first for Southwark Borough Council as a junior, very, clerk in the health department. In those days the Chief Medical Officer personally assessed the fitness of every member of the council staff. My job included carrying the pee bottles that were an essential part of a checkup. The red brick, Victorian, council offices were immediately opposite the terraced house in Walworth Road where we met as Southwark Young Socialists. That house now is called John Smith House and was for many years the Labour Party HQ.

Dame Evelyn Sharp is acknowledged as one of the most outstanding and formidable Civil Servants of her day. Dame Evelyn was the first female Permanent Secretary and she received equal pay ten years before other women in the Civil Service.

More experience in local government as a junior committee clerk in planning was a prescient move it now seems. Soon however I got my taste of “real” government in the Information Office (as it was so quaintly called) of the Ministry of Housing and Local Government run by Dame Evelyn Sharp, or the Minister – depending on which view of history you take – Richard Crossman.

Richard Crossman, politician, author

In the 1960’s there was an absolute division between the civil service and the politicians. As a press officer our only function was to provide information. The notion of massaging the news simply didn’t exist. That didn’t mean not trying to get the best publicity for the ministry’s work, but it did mean avoiding at all costs anything that smacked of media manipulation or massaging a minister’s ego.

I happened to share a grand office that faced onto Whitehall itself. Two rooms along were a team of people, some arriving for work in the early hours of the morning, who hand cut the press clippings from national and local newspapers that would enable me to write the minister’s daily press summary. Nine copies, carefully typed on a manual typewriter, with no means of alteration, had to be ready by nine o’clock: or else. I never discovered what “or else” actually meant.

Because of my job role, I did actually get to meet the Minister. On one occasion he even sent for me, an event that sent his private office and my boss, and his boss, into a civil service spin. I had, apparently, upset a reporter on The Times. After crossing the acres of carpet to his desk Crossman asked me what had happened. I explained it had been late as I answered the phone to an irate reporter demanding information that couldn’t be given since, at 6:15 pm the Registry, where all files lived, was already closed. I told the journalist I’d get the information the next morning, and thought that was that.

Crossman explained that, without knowing anything of what had happened, he had told the editor of The Times that if his reporters upset his press officers he would simply stop speaking to the newspaper. Conversation ended, I crawled out, humbled. You don’t forget that kind of leadership.”

Working there I was lucky enough to have friends in other departments including Number 10, the front door of which I crossed on many occasions – delivering packets for more important people! I knew that the politicians of that era were dedicated, principled and very hard-working. So what might be different today?

Certainly a blurring of the distinction between the public civil servant and the politician. Spin doctoring on taxes? We now have it, for better or worse.

Scrutiny of our politicians? Almost certainly less than 40 years ago. Not least because we have had generations who didn’t have the kind of grounding in how to engage in civic life that I, and I’m certain much of my generation, had.

John Profumo, Secretary of State for War before his sex life brought down Macmillan's government in 1963

I know how local and national government works, at least in principle. I sat in the House of Commons, for example, during Macmillan’s Profumo Affair speech when an exhausted prime minister tried to save his rotten government. That bit might sound familiar, but the speeches were different, the people were different.  The next day there was extensive verbatim coverage in newspapers of record: no 24-hour rolling news bites and instant ‘expert’ analysis to make up our minds for us. We were given the means by which to make informed judgements and reach opinions based on some historical understandings, and of course our own political views.

My father became a councillor in that 100% Labour run rotten borough I had worked for.  I was to leave London and Labour; the party several times, as principles got thrown out with bathwater. But I became an enthusiastic founder member of the SDP and stood several times in local government elections with “Liberal Support”. But unlike my dad, I regarded narrowly failing to win council seats as a good result!

Moving to Wales 15 years ago I’ve had to learn much about politics. Those history lessons about nationhood came in really useful. There is so much to admire and take from Wales’ unique cultural perspective. There is also much to depress: the tribalness of politicians who say they deplore just that very thing; the lack of competence in public life; the dissonance between citizens and their elected representatives.”

As a nation, we have some extraordinary aspirations: for examples, a carbon neutral country, to have our own distinct education system, and a determination to safeguard the culture of Welsh and English speaking Wales. But to me, it seems to be a place that still has to discover for itself those virtues that are so obvious to incomers. And to set those standards and aspirations in public and political life that I so took for granted in my teens.

The South Wales Echo –  27th July 2010 – recommended Peter D Cox as one of  five tweeters to follow on Twitter. The other four were Oprah Winfrey, Stephen Fry, Geraint Thomas and Your Cardiff.